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This is an area I just don't really understand and have not found any
layman's explanation on the web.
In the good old days, you chose your film and the processing lab did the rest
for you. Different films gave different colours and/or saturation of a
photo. But now you have to do all the work that was automatically done for
you. You can therefore change 'films' by choosing different colour spaces
on the screen, but whether you can then print them is another matter.
The best advice I have found seems to
say, just stick with sRGB as most cameras use that space as well as other
devices, such as screens, printers and online print services.
Therefore without any image open in Photoshop, set the spaces as shown below.
You will find the settings in Photoshop Edit>Color
Settings...
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If you use these settings you will on occasion be presented with a
'Profile mismatch' dialogue when opening an image.
In the case of 'no embedded profile' choose working sRGB.
In the case of 'mismatch' choose 'use embedded profile'
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The Adobe RGB colour space can show more colours than sRGB, but I
think you would be hard pressed to spot the difference in most photos. You
can see how things change, by changing the Profile in View>Proof
Setup>Custom... and selecting one of them. You can then toggle
between the current space and a Proof space by using Control+Y. One of
the problems, I find, with understanding colour spaces, is that the colours have
to be held in the computer as numbers (usually RGB values), but just because
they have the same number does not mean that they represent the same colour!
| Here is the RGB value 88,249,17 in Adobe RGB and sRGB - an
enormous difference |
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The following images show Adobe RGB (on the left) compared to sRGB (on the
right)
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You can just see a very small difference |
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These images show the gamut of the colours - ie those that
can be exactly reproduced. The grey area represents those colours
that can not be exactly reproduced. |
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Now you now know as little as I do!
In any image you open in Photoshop, you can see those out-of-gamut colours by
selecting View>Gamut Warning. It is quite informative to have 2
windows open of the same image (Window>Documents>New Window) with
the second one showing the Proof colour space and/or out-of-gamut - but only if
you are preparing the image for printing (otherwise what you see you see!).
In general, you want to use colour spaces that are as large as is practical. For
example, if your printer (or lab) is capable of producing output in a colour space larger than
sRGB, there is no reason to hobble your work by limiting output to the small sRGB gamut. If you do, you'll lose the
saturated cyans and greens that can make your prints stand out.
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